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Murals honor, convey and illustrate facets of culture and history. Therefore, a mural conveys a thought or message and could be interpreted as reflecting values important to that community. This article has everything you need to know about Belfast Murals!
Northern Ireland has a troubled political history despite being lively and calm. Belfast was a city at war forty years ago. Violence broke out between those inhabitants who wished to remain under British rule and those who wanted to reconnect with Ireland.
Nearly 2,000 wall mural paintings were erected depicting these clashes as paramilitary groups, including Republicans (Nationalists) and Loyalists (Unionists), developed during the conflict and spread bloodshed throughout the nation.
In this painting, Nelson Mandela’s anti-apartheid fight in South Africa, where he served as president from 1994 to 1999, is contrasted with the Nationalist struggle in Northern Ireland.
However, in recent years, the mural has begun to stand for peace and stability in cultures that have experienced conflict. The mural in Belfast that features the illustrious freedom fighter Nelson Mandela is among the most well-known.
Along with rallies against Margaret Thatcher, plastic bullets, internment, and censorship, there have been marches in support of the hunger strikers.
A large mural depicting many Republican issues. Some of Belfast’s most recognizable images can be seen along and near Falls Road, including the Solidarity Wall and the Bobby Sands mural. However, the images’ backstory is one of pride, identity, and strife. Falls Road has a strong sense of community.
Loyalist murals, which represent a certain cultural or political opinion, can be spotted throughout Belfast, too. They are associated with identities, unionism and their historical value along with various famous figures and symbols, to convey a certain political point of view. A few examples are as follows:
The disparities between the Republican and Protestant murals highlight significant distinctions in how these communities view their shared ideals as both an end in itself and a means of working toward common objectives.
A reminder of the contrast between the past and present is provided by the murals. Less optimistically, they also draw attention to the terrifying notion that the past might not truly be history!
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